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Two Poems

I want to whisper to him that his existence / Is revolutionary, that his sumud is breathtaking, that I see his gentleness

  • Summer Awad
  • Dana Barqawi
  • October 2023
Artwork by Dana Barqawi
  • Art, Poem
  • Protest

Syllogism for Palestinian Grief

by Summer Awad

Jesus is Palestinian.
Jesus is God (or so they tell me),
Therefore God is Palestinian.
God is Palestinian,
And so the Mother of God lives in Gaza,
And there are so many of her,
And there are so many of her son, splayed
Like a cross on the floor of Al-Shifa Hospital.
And she picks up his flesh, limp and lifeless,
The color missing from his lips, the lips
That learned to give Mama boosa
Before he was weaned from her milk.
And the Mother of God is sobbing through a zaghroota,
She is wailing Yamma, Yamma, Habibi, in that curious way
That Arab parents address us by their own names.
Ibni shaheed, she cries, Yamma, Yamma, ibni shaheed!
Would all these Maryams have denied what God placed
In her womb, declined a boy destined to die,
Kan maktoob min al-bidaya, it was always maktoob
To lose him. Would she have gifted him back to God
Before it all began, refused to use her body
To usher him earthside?
The Mother of God pulls the white
Of the shroud back from her son’s face
To stroke his hair for the last time, takes a deep
Breath before committing him back to Allah.
God is Palestinian, and we have all killed him,
Snuffed him out, missile by missile.
But the Mother of God knows,
By a primal, maternal intuition,
Inno maktoob for him to rise again.

Love Poem

by Summer Awad

I have fallen in love with the men who capture our disaster, who twist
A tourniquet onto the bleeding of our people, who write the names
On the body bags in hauntingly beautiful penmanship.
I want to make love to the lenses of their cameras, want
To massage the feet that trek daily over the rubble, want to
Ready my lover’s tea on the flame, to run a bath
To soothe his weary limbs. I want my fatherland
To lay his overgrown beard in the crook of my neck, want him
To squeeze me when he cries out from the nightmares, from the film reel
Of bombs, the frames etched in our collective subconscious because he has decided
We must not look away. I want to whisper to him that his existence
Is revolutionary, that his sumud is breathtaking, that I see his gentleness
And know he is not a combatant, that his heart was destined
For more than martyrdom. I see him, sitting atop the rubble,
As a young girl puts makeup on his face, a rainbow palette
Of eyeshadows she pulled from the ruins of her home. I see how he holds
A maimed toddler in his left arm while driving an ambulance with his right,
How he sits on the sidewalk, head against the remaining wall of a store,
Gazing blankly toward the fiery sky. I see him singing in scrubs, a smile
On his face because he has gladly resigned himself to die for the sins
Of our oppressors so that our people may have everlasting life.
I want to kiss him on the forehead, tuck him
Into one of the heavy fleece throws they wrap martyred children in, want him
To sleep deeply, to wake up in the quiet after, to a world in which
He is allowed to fall apart.
  • apartheid ceasefire now family history Israeli occupation palestine violence war

Summer Awad

Summer Awad is a multigenre writer of Palestinian descent, born and raised in Knoxville, Tennessee. She currently lives in Ames, Iowa, where she is in the final year of her MFA in Creative Writing and Environment at Iowa State University. She received a 2023 LANDO Grant from the de Groot Foundation for immigration, refugee, and migration writing. Her play, Walls: A Play for Palestine, was produced at The New York International Fringe Festival in 2016. Her poetry has appeared in About Place, Exposition Review, and others, with an essay forthcoming in J Journal. 

Dana Barqawi

Dana Barqawi is a multidisciplinary artist and urban planner, based in Amman, Jordan. She holds a BSc in Architecture and a double MSc in International Cooperation, Urban Development & Emergency Architecture.

For Dana, the act of artistic creation is inseparable from notions of the real world. In times where socio-political changes compose an inherent part of our reality, Dana chooses to reflect the context within her work, consequently creating politically and socially engaged art. Dana’s work challenges colonial narratives, explores indigenous identities, and aspects of womanhood and community. This approach unfolded as a result of her years of work with INGOs and Government bodies, and her International training spanning Europe, Africa & the Middle East focusing on community participation and development.

Growing up with women who painted, sewed, designed, and made art, Dana extends herself through artistry and has a long-standing fascination with detail. Working from a workshop studio in Amman, her work involves experimenting with material and is constantly evolving.

She participated in exhibitions in Amman, Washington DC, Connecticut and Seoul, and she curated an exhibition in collaboration with an academic entity. Dana’s work has been published in World Literature Today, Discontent Magazine, and Meridians Journal.

‹Also in this Issue›
  • Art, Opinion
Gaza, I Wish We’d Meet Under Better Circumstances

Hasheemah Afaneh , Dalia Tuffaha

I first met the Gaza Strip on a television screen back in 2004, at eleven years old. 

  • Protest
  • Art, Essay
To Live Free

laila r. makled , Dina Fawakhiri

To colonizing propagandists, our story is the American Dream. To us, it’s an ongoing tragedy.

  • Intervention
  • Art
Girl from Ramallah

Mariam Darraj

  • Intervention
  • Art, Essay
My Gifts from Gaza

Yousef Abu-Salah

Baba once mentioned how Palestinians were the patient dough of the Taboon. No matter how much we are kneaded, beaten, and stretched beyond our limits, our capacity for hope is supernatural. Taboon, even burnt beyond recognition, is still Taboon.

  • Intervention
  • Art, Poem
Three Poems

Rashid Hussain , Salma Harland , Dana Barqawi

I’m against my country’s revolutionaries / Wounding an ear of wheat / Against the child / Any child / Holding a grenade

  • Protest
  • Art, Poem
I am the stranger

Bassam Jamil , Nicole Mankinen , Bint Bandora

I am the stranger / The shadow beneath the cloud / Adrift and looming over my land

  • Protest
  • Video
Scenes From Home, Memories in Motion

Rania Lardjane

  • Protest
  • Art, Poem
(out of borders)

Hani Albayarie , Khaled Jarada

He wears winter and searches for another land, / Where he will say to the raining clouds, / To sow the sea in a land other than the one we know. / Hope was the last breath of the traveler, / Hope was his land.

  • Intervention
  • Art, Poem
Two Poems

Summer Awad , Dana Barqawi

I want to whisper to him that his existence / Is revolutionary, that his sumud is breathtaking, that I see his gentleness

  • Protest
  • Art, Poem
Why I Love Secrets and Lies

Veera Sulaiman , Dina Fawakhiri

You learn to make your gods as small as a coffee cup and hide your future in it

  • Protest
  • Audio
Hell in My Home

Suzana Sallak

Have you ever wondered what hell feels like on Earth?

  • Violence
  • Art, Essay
In October, the sky turned white

Nama’a Qudah , Dina Fawakhiri

Why are these babies asking too much when they demand nothing but the most basic human rights?

  • Violence
  • Art
Timekeeper

Michael Jabareen

Time stops. The clock’s pointer, at all times alarmed, stands still.

  • Protest
  • Art, Poem
Recipe for Being Palestinian

Alia Yunis , May Grabli

Rise like our bread to speak for those who have no food.

  • Protest
  • Art, Testimony
From the river to the sea

Yara Ghabayen

There was no time to mourn. No time for the dead or the living.

  • Violence
  • Art, Poem
Two Poems

Aiya Sakr , Asma Barakat

You’ve burned the sheikh’s field, worth a lifetime of planting / and fed him a variety of jail cells instead.

  • Protest
  • Art, Poem
Two Poems

Edward Salem , Bayan Dahdah

God said (and already you can tell / I’m making this up), / If you lift a rock, I am there.

  • Violence
  • Art
Unprovoked

Ahmad Mallah

We became just numbers with no stories, no dreams.

  • Protest
  • Art, Poem
A Farm in Gaza

Kat Abdallah , Mette Ehlers

My grandma had a farm in Gaza where her children played outside. Only her two oldest sons remember living there.

  • Protest
  • Art, Poem
Letters to the Unliving and Unborn [for Palestine]

Liane Al Ghusain

We are the land and the land is us. / Its holiness and grime cannot be dispelled from us.

  • Protest, Violence
  • Art, Poem
Two Poems

Priscilla Wathington , Bayan Dahdah

One honey eye got stuck open / watching the burned enter the street.

  • Protest
  • Art, Poem
For the Dead Among Us

Lisa Suhair Majaj , Fadia Jawdat

We will open the day for you, and the night. We know that you are beneath the earth, or ash

  • Protest
  • Vignette
A Few Lines

Bader Alzaharna , Fadia Jawdat

At a hospital-turned-housing-shelter, a father wept, cradling his newborn son at the gate of Al Shifa hospital. 

  • Intervention
  • Art, Poem
Homeland

Farah Alhaddad , Fadia Jawdat

is this a disappearing game or stretching membrane?

  • Intervention
  • Art, Poem
I Was Imagining

Mikhail De Palraine , Fadia Jawdat

Planes claim the sky; claim mothers and fathers, / Claim dreams, futures, one last kid's hope

  • Intervention
  • Art, Poem
[ ∙∙∙ ]

Fady Joudah , Fadia Jawdat

This is what faith taught you. / This way, art. That way, God.

  • Intervention

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