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Letters to the Unliving and Unborn [for Palestine]

We are the land and the land is us. / Its holiness and grime cannot be dispelled from us.

  • Liane Al Ghusain
  • October 2023
Translation from Arabic reads: “How can we blossom while Palestine wilts?” Photographed by Adele Cipste.
  • Art, Poem
  • Protest, Violence
Letter to the Unborn

Rami Habibi,

I will tell you about consent, about not touching others without asking
and not letting others touch you without assenting.

I will tell you about the patriarchy, I will tell you that as a man, if you
identify as one, that you have even more responsibility to smash it.

Rami habibi, I will tell you about Palestine.

I will not tell you that as you grew in my womb, I also held the children of
Gaza there,

I will not tell you that some were dead and some were alive.

I will not tell you that I hope you will save us all, myself included.

I will not tell you that every day I see us marching into the apocalypse,
with you at our lead.

...But I will tell you that the purple lightning and turquoise tidal waves,
the plasma-screen bright forest fires and the split-legs-in-the-air
earthquakes, the crawling vine nooses on the monuments of men and
the navel-shaped cyclones anchored by iron-chain chords...are the
souls of the indigenous, back for what’s theirs.

Baby Rami, this is only the half of it. I hate to break it to you, but your
father is Lebanese.

Our tears are lava, our hearts are active volcanoes. Our souls are so
bullet-ridden that we can’t sleep from the starlight the constellations
heap upon us. Our pupils have not stopped dilating since the first world
war.

I will not tell you that it is you who will put us to sleep, my baby. It is you
who will rock your father and feed your mother. We were dehumanized

before being born. It is us who have last names that built the waiting
rooms at airport security and the faces deemed untrustworthy without a
fresh shave and a fake smile. It is you will humanize us. You will soften
our outlines to strangers. Who were Joseph and Mary without Jesus?
Just two Arabs.

I will tell you that we love our Lebanese mountains and Palestinian hills,
so deeply, that they mistook us for stones. We were so identified with
the olive and cedar trees, they thought us inanimate. Unalive. A land
without a people. They didn’t realize that to us, the two are
interchangeable. Not only do we know the land but the land knows us.
We are the land and the land is us.

Its holiness and grime cannot be dispelled from us. That’s like asking a
pine tree to spit up the very seed it came from. That’s like asking me
which cell of yours I first grew, when the truth is, you were projected all
at once, dead before you were alive and autonomous before you were
ever mine.

Love, your mother, and inshallah your friend,
Liane

*

Letter to the Unliving

My grandmother, sitt el-kul, Teta Salima...

They exploded the home you were forced to leave, the home I never
visited, never fell asleep in before you could cover me with a blanket.

Gaza is a tombstone. The sea is a silent witness.

I got my sweetness from you, the sweetness they mistook for weakness,
the sweetness that decays teeth and rots insides, that leaves gaping
holes where trespassers can come in.

You’re lucky you’re not alive to see this. It’s only us that NYtimes
characterizes with “murderous fury.” Not our colonizers, not the guests
we took in sweetly saying “no no, stay another night. Of course you’re
tired after the Holocaust.”

They get to be the victors of history. The winners of the Sadness
Olympics.

We put date-filled sweets on their plates and covered them with
powdered sugar.

They put us in open-air prisons and danced in front of the prison bars.

“Savages,” while they tucked a strand of hair behind your ear,

“Dirty infidels,” while they tore your laundry down from the clothing line
and prepared to move into your house.

They had cut your water supply, so your hair was greasy and the laundry
had been hung up to air without being washed. You did, in fact, feel like
a savage. Feral and unclean, by their design.

You were the granddaughter of a general. A man who wore a green
velvet uniform and built a house of stone at the gates of Jerusalem.
You’d burnt sage and camphor to keep the horse stalls clean and you’d
never had a rat infestation...before this one.

They told your father, the freedom fighter, that his weapons shipment
had arrived. He was going to take back the laundry line, redraw the
borders of Palestine. When he arrived to the alley to collect the
shipment, there was a tank blocking his path. He was shot dead, they all
were. The stones remain their silent witnesses to this day.

A talisman, worn smooth by time and etched with serpentine numbers
and letters sinks to the bottom of a spring that has never forgotten its
name. It holds the magic spell for freedom.

It lands behind my navel and is baptized by my amniotic fluid. I am of
you, and you are of the same land as the Virgin Mother. Our holiness has
survived this genocide, this time.

Love, your granddaughter in this life and inshallah every life,
Liane
  • ceasefire now family genocide occupation palestine war

Liane Al Ghusain

Liane Al Ghusain (b. 1987) is a Palestinian-Kuwaiti artist who lives and works in Dearborn, Michigan. She received her MFA from New York University Abu Dhabi (2023) and completed a co-terminal BA (2009) and MA (2010) in English from Stanford University, with a focus on creative writing and interdisciplinary honors in feminist studies. She also has completed postgraduate studies at the Ashkal Alwan Home Workspace Program in Beirut, Lebanon.

Liane has shown her artwork in Abu Dhabi (421, Abu Dhabi Art), Amsterdam (Framer Framed), Dubai (Art Dubai, NIKA Project Space, The Mine Gallery), Grand Rapids, Michigan (Art Prize), and Kuwait City (The Object Salon) as well as in online exhibitions, recently completing residencies at the A.M. Qattan Foundation in Ramallah, Palestine and the Atlantic Center for the Arts in Florida, USA.

Liane has been awarded various grants, prizes, residencies and fellowships, including scholarships and research grants from Stanford University, New York University Abu Dhabi, and the Kuwait Culture Office. She has published writing in a wide range of international publications such as Berlin Quarterly
(Germany), The Outpost (Lebanon) and WTD magazine (UAE), and performed as a speaker/mentor to several non-profit organizations such as the House of Beautiful Business (Portugal) and en.v for social good (Kuwait). She was the first director of the Contemporary Art Platform (CAP Kuwait) and has worked as an artist, writer, culture/education consultant, and yoga & meditation teacher. She continues to run her business, The Scribes, where her main roles are as a writer and editor for corporations, businesses,
public speakers, filmmakers, and PhD students completing their dissertations in social science and the humanities. Her artwork can be seen at www.lianealghusain.com.

‹Also in this Issue›
  • Art, Opinion
Gaza, I Wish We’d Meet Under Better Circumstances

Hasheemah Afaneh , Dalia Tuffaha

I first met the Gaza Strip on a television screen back in 2004, at eleven years old. 

  • Protest
  • Art, Essay
To Live Free

laila r. makled , Dina Fawakhiri

To colonizing propagandists, our story is the American Dream. To us, it’s an ongoing tragedy.

  • Intervention
  • Art
Girl from Ramallah

Mariam Darraj

  • Intervention
  • Art, Essay
My Gifts from Gaza

Yousef Abu-Salah

Baba once mentioned how Palestinians were the patient dough of the Taboon. No matter how much we are kneaded, beaten, and stretched beyond our limits, our capacity for hope is supernatural. Taboon, even burnt beyond recognition, is still Taboon.

  • Intervention
  • Art, Poem
Three Poems

Rashid Hussain , Salma Harland , Dana Barqawi

I’m against my country’s revolutionaries / Wounding an ear of wheat / Against the child / Any child / Holding a grenade

  • Protest
  • Art, Poem
I am the stranger

Bassam Jamil , Nicole Mankinen , Bint Bandora

I am the stranger / The shadow beneath the cloud / Adrift and looming over my land

  • Protest
  • Video
Scenes From Home, Memories in Motion

Rania Lardjane

  • Protest
  • Art, Poem
(out of borders)

Hani Albayarie , Khaled Jarada

He wears winter and searches for another land, / Where he will say to the raining clouds, / To sow the sea in a land other than the one we know. / Hope was the last breath of the traveler, / Hope was his land.

  • Intervention
  • Art, Poem
Two Poems

Summer Awad , Dana Barqawi

I want to whisper to him that his existence / Is revolutionary, that his sumud is breathtaking, that I see his gentleness

  • Protest
  • Art, Poem
Why I Love Secrets and Lies

Veera Sulaiman , Dina Fawakhiri

You learn to make your gods as small as a coffee cup and hide your future in it

  • Protest
  • Audio
Hell in My Home

Suzana Sallak

Have you ever wondered what hell feels like on Earth?

  • Violence
  • Art, Essay
In October, the sky turned white

Nama’a Qudah , Dina Fawakhiri

Why are these babies asking too much when they demand nothing but the most basic human rights?

  • Violence
  • Art
Timekeeper

Michael Jabareen

Time stops. The clock’s pointer, at all times alarmed, stands still.

  • Protest
  • Art, Poem
Recipe for Being Palestinian

Alia Yunis , May Grabli

Rise like our bread to speak for those who have no food.

  • Protest
  • Art, Testimony
From the river to the sea

Yara Ghabayen

There was no time to mourn. No time for the dead or the living.

  • Violence
  • Art, Poem
Two Poems

Aiya Sakr , Asma Barakat

You’ve burned the sheikh’s field, worth a lifetime of planting / and fed him a variety of jail cells instead.

  • Protest
  • Art, Poem
Two Poems

Edward Salem , Bayan Dahdah

God said (and already you can tell / I’m making this up), / If you lift a rock, I am there.

  • Violence
  • Art
Unprovoked

Ahmad Mallah

We became just numbers with no stories, no dreams.

  • Protest
  • Art, Poem
A Farm in Gaza

Kat Abdallah , Mette Ehlers

My grandma had a farm in Gaza where her children played outside. Only her two oldest sons remember living there.

  • Protest
  • Art, Poem
Letters to the Unliving and Unborn [for Palestine]

Liane Al Ghusain

We are the land and the land is us. / Its holiness and grime cannot be dispelled from us.

  • Protest, Violence
  • Art, Poem
Two Poems

Priscilla Wathington , Bayan Dahdah

One honey eye got stuck open / watching the burned enter the street.

  • Protest
  • Art, Poem
For the Dead Among Us

Lisa Suhair Majaj , Fadia Jawdat

We will open the day for you, and the night. We know that you are beneath the earth, or ash

  • Protest
  • Vignette
A Few Lines

Bader Alzaharna , Fadia Jawdat

At a hospital-turned-housing-shelter, a father wept, cradling his newborn son at the gate of Al Shifa hospital. 

  • Intervention
  • Art, Poem
Homeland

Farah Alhaddad , Fadia Jawdat

is this a disappearing game or stretching membrane?

  • Intervention
  • Art, Poem
I Was Imagining

Mikhail De Palraine , Fadia Jawdat

Planes claim the sky; claim mothers and fathers, / Claim dreams, futures, one last kid's hope

  • Intervention
  • Art, Poem
[ ∙∙∙ ]

Fady Joudah , Fadia Jawdat

This is what faith taught you. / This way, art. That way, God.

  • Intervention

Adi Magazine rehumanizing
policy

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