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To Live Free

To colonizing propagandists, our story is the American Dream. To us, it’s an ongoing tragedy.

  • laila r. makled
  • Dina Fawakhiri
  • October 2023
Artwork by Dina Fawakhiri
  • Art, Essay
  • Intervention

Location:  I live on Confederate Villages of Lisjan territory in Oakland, California.

On Trans Day of Visibility last year, I posted a photo of myself after top surgery, and commented on what it means to be trans. My jiddo responded, “We see you and love you as you are.” He understands, in a way few can, the necessity for affirmation of one’s existence.

My jiddo’s name is Nabil Ahmed Izzat Tahha. In 1948, at the age of 7, he witnessed neighbors in Haifa, Palestine lying naked and dead in the streets, and children “going crazy” over the loss of their families. Luckily, he, along with his parents and six siblings, was able to escape to Sur, Lebanon.

My great grandmother, Badrieh Al Khamra sold her jewelry to keep everyone fed. This kept my family alive for a while, but after five months, all of it was gone, and the food along with it. Their arduous journey took them to Syria and, eventually, the United States.

In 1959, my jiddo was accepted into Purdue University with less than $20 to his name. He took a job as a dishwasher making $0.80/hour to pay for school and living expenses. Then, in 1964 while at a church event to get some food, my Muslim Palestinian jiddo met my grandmother: Sharon Elizabeth Hood, a young, white Baptist, small-town girl from Texas. Not long after that, on February 24, 1965, my mom, Rhoda Nabil Taha Makled, was born in Baytown, Texas.

Despite long odds and unrelenting racist encounters, and through hard work and education, my jiddo was able to make a life and raise a family here and eventually attain citizenship.

To colonizing propagandists, our story is the American Dream. To us, it’s an ongoing tragedy. Every few years, when Palestine reenters the news cycle, we are forced to relive the trauma our family went through, feeling deeply the continued suffering of those living in our homeland. Israel’s current, blatant slaughtering of Palestinians has only made my jiddo’s recurring night terrors worse.

In my mother’s words, “In a world where colonization still draws painful borders around indigenous lives, through silent echoes of the past and loud clamors of the present, the narrative of my dad’s shattered dream and unyielding survival stands as a testament. It is a soul-stirring reminder of the human spirit’s unyielding flame, burning fiercely amidst the chilling winds of conquest, illuminating the paths of resistance for generations to come.”

The trauma of genocide will continue to be felt in our bodies for generations, but so will our beauty and resilience. It’s part of what’s given me the strength to be openly trans, and my family to support and love me unconditionally.

“We [Palestinians] are not going away. We’re in this world to stay, and the world is going to have to deal with us.” – Jiddo

The wedding photo of Ahmad Izzat Taha and Badrieh Al Khamra, my great grandparents, 1931-32, Haifa, Palestine.
Naturalization Record for Nabil Ahmad Izzat Taha, witnessed by Earl Winfred Hood and Elaina Marie Hood, Texas, US. Source: Texas, U.S., Naturalization Records, 1852-1991 [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2012. Original data: Records of District Courts of the United States, Record Group 21; The National Archives at Fort Worth, TX.
Sharon Marie Hood, 1970s.
Rhoda Nabil Taha Makled, senior school photo age 16, 1980.
Laila and their jiddoLaila and their jiddo (Nabil) at an ice skating rink in New Jersey, 1997.
Laila and their jiddo (Nabil) at an ice skating rink in New Jersey, 1997.
  • American Dream ceasefire now family genocide LGBTQ migration palestine trans identity

laila r. makled

laila r. makled is a facilitator, writer, event producer, and educator. identities that ground laila are being a: gender expansive human; grandchild of lebanese immigrants, a palestinian refugee, & a scottish-baptist settler; muslim-ish; lover of love; silly; sensory sensitive; soft & boundaried; 1992-born; dream builder. founder of out there communication, laila holds community-centered groups and people in navigating conflict, communication, and care. you can find laila via their instagram @out_there_communication or website outtherecommunication.net

Dina Fawakhiri

Dina Fawakhiri is an artist, children’s books illustrator and calligrapher known for her impactful work. Her artistic journey, rooted in a love for pencil drawings, progressed through a Graphic Design degree and her advertising experience. Thriving in the digital realm, she creates bold, surreal artwork characterized by vibrant colors and meticulous detail.

Amidst a 15-year advertising career, Dina embraced mentorship and coaching, even engaging in award committees and speaking at TEDx. Her Creative Director role saw her merging unique perspectives and techniques with brand storytelling.

As a result, Dina’s illustrations today harmonize imagination and technique, gaining recognition through awards and gallery exhibitions. A perpetual learner, she pushes artistic boundaries, inspiring the creative community. Her passion for the Arabic language also led her to Arabic calligraphy and venturing into children's books, where she illustrated over 20 Arabic titles since 2016, to further foster a love for the language.

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I first met the Gaza Strip on a television screen back in 2004, at eleven years old. 

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To Live Free

laila r. makled , Dina Fawakhiri

To colonizing propagandists, our story is the American Dream. To us, it’s an ongoing tragedy.

  • Intervention
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Girl from Ramallah

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My Gifts from Gaza

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Baba once mentioned how Palestinians were the patient dough of the Taboon. No matter how much we are kneaded, beaten, and stretched beyond our limits, our capacity for hope is supernatural. Taboon, even burnt beyond recognition, is still Taboon.

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Three Poems

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I’m against my country’s revolutionaries / Wounding an ear of wheat / Against the child / Any child / Holding a grenade

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I am the stranger / The shadow beneath the cloud / Adrift and looming over my land

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Scenes From Home, Memories in Motion

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(out of borders)

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He wears winter and searches for another land, / Where he will say to the raining clouds, / To sow the sea in a land other than the one we know. / Hope was the last breath of the traveler, / Hope was his land.

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Two Poems

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I want to whisper to him that his existence / Is revolutionary, that his sumud is breathtaking, that I see his gentleness

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Veera Sulaiman , Dina Fawakhiri

You learn to make your gods as small as a coffee cup and hide your future in it

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Have you ever wondered what hell feels like on Earth?

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Why are these babies asking too much when they demand nothing but the most basic human rights?

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Time stops. The clock’s pointer, at all times alarmed, stands still.

  • Protest
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Recipe for Being Palestinian

Alia Yunis , May Grabli

Rise like our bread to speak for those who have no food.

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From the river to the sea

Yara Ghabayen

There was no time to mourn. No time for the dead or the living.

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You’ve burned the sheikh’s field, worth a lifetime of planting / and fed him a variety of jail cells instead.

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We became just numbers with no stories, no dreams.

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We are the land and the land is us. / Its holiness and grime cannot be dispelled from us.

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One honey eye got stuck open / watching the burned enter the street.

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[ ∙∙∙ ]

Fady Joudah , Fadia Jawdat

This is what faith taught you. / This way, art. That way, God.

  • Intervention

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