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The Recurring Dream of the Water Mothers (I)

The mothers beckon: Meet yourself.

  • Airea D. Matthews
  • Laylah Amatullah Barrayn
  • September 2023
  • Art, Photography, Poem
  • Intervention

for Mama Chola, Mami Wata, Yemaya and Oshun


My names often escape me 
but the dreams have stayed: 
Three women at the wound 
& I am on the shore of it.

In this recurring, insistent dream,
daybreak throngs the landscape 
& I am left behind on craggy hem 
as silt sputters & waters pulse. 

First dawn fills the woods outside,
a widening dehiscence glistens as 
alluvium shifts & the river surges.
Three women, the mothers, as I call 

them, gleam inside the broad wound
folding as buoyant geometry into one
another. The mothers beckon: Meet yourself.
I refuse. I fear unknown weather or waves

as their voices camber beams of helices.
Water holds danger, epigenetic memory,
& I refuse the murky, shallow currents.
The mothers insist no harm this time:

No ships of history or holds in this river.
Water’s the cure for water’s wounding. 
They seem certain of safety’s guarantee,
but there are other means of knowing which

injuries make me legible to myself.
Then, those water mothers urge:
Witch, we are the only means of knowing 
your names that often escape you.

next

  • captivity epigenesis escape history Mama Chola Mami Wata memory mythology Oshun Yemaya

Airea D. Matthews

Airea D. Matthews’ first collection of poems is the critically acclaimed Simulacra, which received the prestigious 2016 Yale Series of Younger Poets Award. The collection explores  longing, desire, and inheritance with power, insight, and intense emotion. New Yorker critic Dan Chiasson describes Matthews’s experimental forms as, “Fugues, text messages to the dead, imagined outtakes from Wittgenstein, tart mini-operas, fairy tales: Matthews is virtuosic, frantic, and darkly, very darkly, funny.” Matthews is also the author of Bread and Circus (Scribner US and Picador UK, 2023), a memoir-in-verse that is a bold poetic reckoning with the realities of class and race and their intergenerational effects.

For her writing, Matthews earned a 2020 Pew Fellowship as well as the 2017 Margaret Walker For My People award. In 2016, she received both the Rona Jaffe Foundation Writers’ Award and the Louis Untermeyer Scholarship in Poetry from the Bread Loaf Writers’ Conference. Her work has appeared in Harper's Bazaar, Poetry Ireland, The New York Times, Georgia Review, Callaloo, Gulf Coast, Best American Poetry, American Poet, The Rumpus, Tin House, Los Angeles Review of Books, Harvard Review, and elsewhere.

Matthews holds a B.A. in Economics from the University of Pennsylvania as well as an M.F.A. from the Helen Zell Writers’ Program and an M.P.A. from the Gerald Ford School of Public Policy, both at the University of Michigan. In 2022, she was named Philadelphia’s Poet Laureate. She is an associate professor and co-directs the poetry program at Bryn Mawr College, where she was presented the Lindback Distinguished Teaching award.

Laylah Amatullah Barrayn

As a documentary photographer, Laylah Amatullah Barrayn focuses her inquiries on the cultures and identities within the global Black diaspora with a special interest in memory and the lived experiences of women. Her monograph, We Are Present: 2020 in Portraits, was recently published in collaboration with Magnum Foundation. Barrayn is currently completing a book on contemporary Black photographers. She holds a M.A. from New York University’s Tisch School of the Arts.

‹Also in this Issue›
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (X)

Airea D. Matthews , Laylah Amatullah Barrayn

In this / metaphysic, not one of us dies from want / or lack / or saving / or flight...

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (IX)

Airea D. Matthews , Laylah Amatullah Barrayn

I would often be stricken silent until I traced / My blood gaps...

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (VIII)

Airea D. Matthews , Laylah Amatullah Barrayn

Hunger hungers still. We, / resurrected, warm under / a familiar flame...

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (VII)

Airea D. Matthews , Laylah Amatullah Barrayn

There is no terror, at least, / of unknown, glottal tongues.

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (VI)

Airea D. Matthews , Laylah Amatullah Barrayn

Epigenetic rage is an avowed, / deserved grievance. But to what / end?

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (V)

Airea D. Matthews , Laylah Amatullah Barrayn

We / abandoned earth with dignity, severed / our ties and breathed in salt.

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (IV)

Airea D. Matthews , Laylah Amatullah Barrayn

...Elements / existing where they aren’t supposed / to be—their wills explosive revolution.

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (III)

Airea D. Matthews , Laylah Amatullah Barrayn

...a small gap, a bridge— / an invitation to some unwrinkled past—

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (II)

Airea D. Matthews , Laylah Amatullah Barrayn

...the sea swallows / itself whole. Breaking the weight of us all...

  • Intervention
  • Art, Photography, Poem
The Recurring Dream of the Water Mothers (I)

Airea D. Matthews , Laylah Amatullah Barrayn

Water holds danger, epigenetic memory, / & I refuse the murky, shallow currents.

  • Intervention

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