What Migration Will Do To You

This country / doesn't exist for me without the story / of how we come to it.

This is the most she has ever said
about the year she left. (I point
to what I can’t say.) And, to complete
the story she reminds me, this is the most
she’s ever told me. This December,
she reminded her own mother,
“I am the only person who can tell the story
of my departure.” Though this is my own fault,
I wasn’t at the table. This country
doesn't exist for me without the story
of how we come to it. For my mother, it's endless
return. Friday afternoons, we lay out cost/
benefit analyses of where she'll retire. American
that I am, I insist, it's not too late to register
immense joy. Often she evaluates
the past. She doesn't remember the demands
of the first uprising—only that everyone
was so willing to die after exam week.
Mom explains, even protesters become
corrupt public servants. Mom also says
public servants really believe in their work,
so please trust America’s institutions.
Her mother’s advice: if she stays in America,
she'll die alone. This reveals something
about myself I'm not ready to describe.
Still, I complain that I can get better
Filipino food in LA. Or, more plainly,
I don't want to eat alone.

Asa Drake is a Filipina/white poet in Central Florida. She is the author of Maybe the Body (Tin House, 2026) and Beauty Talk (Noemi Press, 2026), winner of the 2024 Noemi Press Book Award. A National Poetry Series finalist, she is the recipient of fellowships and awards from the 92Y Discovery Poetry Contest, Kenyon Review Residential Writers Workshop, the Rona Jaffe Foundation, Storyknife, Sundress Publications, Tin House and Idyllwild Arts. Her poems can be found on The Slowdown Podcast, The American Poetry Review, and Poetry Daily. A former librarian, she currently works as a teaching artist.

Jinhwa Jang is an illustrator whose work draws from the rhythms and memories of urban life, shaped by years spent in cities like Seoul, Shanghai and New York. Influenced by Japanese manga, animation, and the games of her childhood, she builds richly detailed scenes that hold entire narratives within a single frame. Her illustrations often depict surreal cityscapes—neon-lit streets, distant planets in the sky—where imagination quietly transforms the everyday.