I have gone mad before, so I am not afraid

i long for this ordinary apocalypse, my hands still as i knead / flour, wet with oil

Artwork by Kaya Joan
i long for this ordinary apocalypse, my hands still as i knead
flour, wet with oil, as i watch the yeast rise as
it wants for water,

there are children outside playing in the asphalt, they are
throwing meagre kittens around that wail for their mothers

small dogs gather and lick their wounds, the people run from
their buildings shrieking, there’s glass everywhere
it's hot as it first was, when they pulled it out of sand, it drips
down, and the blocks come tumbling down

an old man stands, and points up at the birds, my favourite
magpie, is in the garden again, it swoops down with a flock
i feed them what little grain i have left over

in their own way they bless me, when the wailing people reach
me, i hide inside of my house

all their money is burning up around them

i suppose this is the aftershock, some things have always been
flammable;

their good houses, their gardens, their gardenias
their goodness,

they flock to the prayer houses, and try to pray the light away

but it continues, hard, unrelenting,

even when they lie against the ground, whispering, there is no
shadow,


i have dreamt it before, this terrible reckoning, this gaping

i yearn to meet it, its rays approach my house
i leave out my wet dough, and my wet clothes
i strip naked and stand in it, and i don’t burn

i want to say this is the proof they asked me for once, but there
is noone to tell

not the smudged horizon, not the smoke from the prayer houses,
not the city, not the people

not their clamour

Asmaa Jama is an artist and writer, working across text, painting, moving image and performance, with their practice deeply preoccupied with the image and texture of burning. Drawing from Islamic cosmology, they explore jinn and other beings made of fire as metaphors for spectres, ghostliness, and the crossing of realms. Jama was the winner of the Geoffrey Dearmer prize, and was commended by the Brunel African Poetry Prize and the Wasafiri Writing Prize. Jama is a Cave Canem 2021 Fellow and a Barbican Young Poet (2023). And has been published in anthologies by Flipped Eye and 20.35 Africa, and Comma Press.

Kaya Joan is a multi-disciplinary Afro-Indigenous (Vincentian, Kanien’kehá:ka, Jamaican, settler) artist born and raised in T’karonto, Dish with One Spoon treaty territory, based in what is currently known as Prince Edward County, Haudenosaunee, Anishinaabeg, and Wendat territory. Kaya’s practice explores Black and Indigenous futurity, archival practices, mapping, storytelling, and relationship to place.